Thought Posting

Beginning with the definition of the C major [C∆) scale, as seen within Tonal-harmonic geometry, consists of the notes C, D, E, F, G, A, and B. In the context of the time-independent Schrödinger equation in quantum mechanics, these notes don't have a direct correspondence. However, they coalesce by adjustment of mathematical concepts where the notes now represent discrete values or states similar to the quantized energy levels of a system described by the Schrödinger equation. Schrödinger describes how the wave function evolves in time for a given potential energy landscape, determining the allowed energy states for a quantum system. While there isn't a direct mapping between musical notes and the equation's variables, both domains involve the concept of discrete values or levels in their respective contexts and become interchangeable.  This ultimately led down a rabbit hole that became the central pillar of this entry. The development of techniques for "dividing volum...

 

 ' Esoteric Encyclopedia of Musical Scales with Polygons and Chord to Time Signature Conversions' by Anthony Vargas ***This was written for Major Thirds players and Astrologers in mind*** Legend Chord Conversion Process This process borrowed from the Esoteric practice of Numerology. In this system all integers(numbers) are added together to form numbers between 1 and 9. The exception being "Master Numbers" such as, 11, 22, 33. These master digits take on their own unique aspects, having the qualities of both their added-up forms and their signature numbers. To convert a chord into a time signature, sum each interval of your chord, add 1 for every sharp(#) interval and subtract 1 for every flat(b) in your chord. For example: major triad  1 + 3 + 5 = [9] once you derive this top number (9), round this integer to the nearest subdivision. Typically subdivisions are formed with the integers of: 1, 2, 4, 8, 16, 32, 64, 128, 256, etc. In the case of this Major triad, 9 is cl...