Thought Posting

      The primary aim of this research is to explore the intersection of quantum computing, music theory, and visualization by creating a comprehensive representation of 3-dimensional volumetric-time data about a given point-particle region and its relationship to musical intervals, wavelength, energy levels, and octave pitch classification sets. It will involve the application of quantum logic gates and the Qiskit package, specifically using OpenQASM2.0 in tandem with Q-Ctrl's Fire Opal interface to run experiments on a real quantum computer, courtesy of IBM (Q), to encode volumetric-time information into relatively manageable n>=11 qubit states, as well as the mapping of eigenvalues to musical intervals using quantum algorithms or simulations. It will also include the creation of a 3D scatter plot and geometric topology to visualize the relationships between the data points, with an emphasis on incorporating volumetric time into the visualization. The research will a...

Beginning with the definition of the C major [C∆) scale, as seen within Tonal-harmonic geometry, consists of the notes C, D, E, F, G, A, and B. In the context of the time-independent Schrödinger equation in quantum mechanics, these notes don't have a direct correspondence. However, they coalesce by adjustment of mathematical concepts where the notes now represent discrete values or states similar to the quantized energy levels of a system described by the Schrödinger equation. Schrödinger describes how the wave function evolves in time for a given potential energy landscape, determining the allowed energy states for a quantum system. While there isn't a direct mapping between musical notes and the equation's variables, both domains involve the concept of discrete values or levels in their respective contexts and become interchangeable.  This ultimately led down a rabbit hole that became the central pillar of this entry. The development of techniques for "dividing volum...

 So, this portion of the notation for the tonal theory book is dedicated to the 8 , 9 , 10 and 11 - tone scales and most of    their respective modes. This includes a breakdown of typical scale permutations , tonal-depth analysis and composition techniques revolving around the geometry of the figures, as well, a slightly deeper analysis of tone legs  as an integrated system .  This concludes the transition from the typical scalar expressions (such as the pentatonic , diatonic , etc .) and resolves to the next installment, which will be mainly focused on the various expressions or rather, cadences of the electron and the integration of harmonic dynamics into the electrostatic purview. If y ou h aven't r ead t he f irst i nstallment, I w ould b acktrack t here f irst . O therwise , enjoy!   [ ** To be updated ** ] T one D epth I nquiry This is asking about the density of the tone leg specifically. That is, if you added more legs of t...