Thought Posting

      The primary aim of this research is to explore the intersection of quantum computing, music theory, and visualization by creating a comprehensive representation of 3-dimensional volumetric-time data about a given point-particle region and its relationship to musical intervals, wavelength, energy levels, and octave pitch classification sets. It will involve the application of quantum logic gates and the Qiskit package, specifically using OpenQASM2.0 in tandem with Q-Ctrl's Fire Opal interface to run experiments on a real quantum computer, courtesy of IBM (Q), to encode volumetric-time information into relatively manageable n>=11 qubit states, as well as the mapping of eigenvalues to musical intervals using quantum algorithms or simulations. It will also include the creation of a 3D scatter plot and geometric topology to visualize the relationships between the data points, with an emphasis on incorporating volumetric time into the visualization. The research will a...

Beginning with the definition of the C major [C∆) scale, as seen within Tonal-harmonic geometry, consists of the notes C, D, E, F, G, A, and B. In the context of the time-independent Schrödinger equation in quantum mechanics, these notes don't have a direct correspondence. However, they coalesce by adjustment of mathematical concepts where the notes now represent discrete values or states similar to the quantized energy levels of a system described by the Schrödinger equation. Schrödinger describes how the wave function evolves in time for a given potential energy landscape, determining the allowed energy states for a quantum system. While there isn't a direct mapping between musical notes and the equation's variables, both domains involve the concept of discrete values or levels in their respective contexts and become interchangeable.  This ultimately led down a rabbit hole that became the central pillar of this entry. The development of techniques for "dividing volum...

    ' Esoteric Encyclopedia of Musical Scales with Polygons and Chord to Time Signature Conversions,  Applied ' by Anthony Vargas ***This was written for major thirds players, astrologers, data scientists, mathematicians and quantum scientists in mind*** Legend Chord Conversion Process This process borrowed from the Esoteric practice of Numerology. In this system all integers(numbers) are added together to form numbers between 1 and 9. The exception being "Master Numbers" such as, 11, 22, 33. These master digits take on their own unique aspects, having the qualities of both their added-up forms and their signature numbers. To convert a chord into a time signature, sum each interval of your chord, add 1 for every sharp(#) interval and subtract 1 for every flat(b) in your chord. For example: major triad  1 + 3 + 5 = [9] once you derive this top number (9), round this integer to the nearest subdivision. Typically subdivisions are formed with the integers of: 1, 2, 4, 8,...